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DOWNLOAD BACK FROM EARTH EP

CONTACT:

PRESS & ONLINE
XAVIER AARONSON

LINKS:
WWW.HAVEYOUGONEAWOL.COM
AWOLNATION ON MYSPACE
AWOLNATION ON TWITTER

TOUR DATES:
08/28 West Hollywood, CA
Sunset Strip Music Festival at Key Club
09/10 NYC, NY
Red Bull Party @ Fashion Week

PRESS:
“They were the perfect choice to open for a major act like Weezer at the Williamsburg Waterfront, with plenty of adrenaline-pumping dance beats & bash-you-over the head arena rock riffs”
–NY Press

“Lovable rock nerds Awolnation”
–NBC New York

“With obvious influences from rock n roll tracks of the fifties teamed with riffs that would make Rage fans excited, AWOLNATION are definitely the band to look out for this autumn”
– Riot Magazine

“Woke us up. Turn it up loud”
– Beehive Candy

“About as eclectic as you get without being disjointed noise, Awolnation bypass the status quo of current pop music and instead pave their own route, injecting soul like influences and punk rock energy into their disco/techno/hip-hop hybrid, moving from synth heavy songs to straight up loud and moody rockers”
GO211.COM

“AWOL, the man behind the band, is a blitz-pop hype master in the vein of Electric Six or Junior Senior. The adrenaline-soaked beats behind songs like "Burn It Down" should have the 17+ crowd raging and ready for MGMT's psych-pop schizophrenia”
The Onion / AV Club

“If you like a bit of synth with your rock guitars and thundering hip hop influences this is the nation for you.” -
– Clink Music Magazine

“... the band are experts at making the most of that time, forging together influences that span time and culture into an absolute high-energy release that burns brightly and with a ferocious and mighty intent” -
– Consequence of Sound

"AWOLNATION [...] commanded the entire attention of the venue which is extremely difficult for most opening bands. The California group successfully blended their optimistic good time feel along with some electronic yet tribal like drums"
– URB.com

"Los Angeles' AWOLNATION opened the night with a set of spacey bombast"
– Spin.com

“The new project from Aaron Bruno (Under the Influence of Giants) brings bombastic synth-rock and a let's-party-in-outer-space vibe”
– LA Weekly



WATCH LOST SIGNALLOST SIGNAL STILL


WATCH DEEP DANGER
DEEP DANGER STILL


AWOLNATION 2


AWOLNATION 2

It has been said that when Elvis Presley was being shot from the waist up on The Ed Sullivan Show, AWOL was ready to pull the plug. Others say it was the Rolling Stones nightmare at Altamont that pushed AWOL to ask Sex Pistols fans if they felt they were being cheated at their last show in San Francisco. When Madonna writhed around the stage at the MTV Video Music Awards singing “Like a Virgin,” AWOL was spotted in scrubs trying to save Bushwick Bill’s eyeball, before being last seen pushing Kurt Cobain onstage in a wheelchair to play Reading...

Like Peter Finch’s newsman Howard Beale in the movie Network, AWOL is mad as hell and he’s not going to take it anymore. Broke and with his world crumbling around him, he launched a NATION.

And indeed, what can a poor boy do… except make some of his toughest, hardest, most passionate music ever, slamming it with the most up-to-date hip-hop and electronic dance beats in a genre-blending mash-up that defines AWOLNATION.  It’s not just music, but a crusade designed to fight all that’s fake, commercialized, compromised and debased in popular culture.

Like in “Burn It Down,” a sped-up blitz that goes from the yelps of Little Richard and Jerry Lee Lewis through the punk of Black Flag, the Clash and Rage Against the Machine to the most modern techno-dance acts like Justice, Simian Mobile Disco and Boyz Noize, not preaching destruction, but cleansing past sins to make way for future hope. There’s a whole lot of shaking going on in AWOLNATION…

“If I’m going down in flames, it’ll be my way,” confesses AWOL. “Why do it if you’re not going to do it all-out? I wanted to do a song that was faster than I was comfortable doing, with a ferocious drum fill like some dude fell over his kit and landed on the one. I’ve always loved heavy music… people seem to get turned on by aggressive passion. It’s like channeling a hardcore breakdown with synthesizers instead of guitars” And that’s what you get on new songs like “Sail,” a hip-hop beat driven wide-screen cinematic soundtrack that could be considered the R-rated version of the voyage Max takes in Spike Jonze’s Where the Wild Things Are, which combines AWOL’s own obsessions with surfing, the ocean, John Lennon’s primal scream era and psychedelic Radiohead trips. “Blame it on my A.D.D.,” he sings. “This is how angels die.”

“I think very much like a kid in terms of fantasy and magic,” says AWOL. “I get rhythms, beats, colors and patterns from the transcendence of the ocean. I’m influenced by both its beauty and its absolute terror.” Some say AWOL is the name he’d rap under while battling his friends free-style, a reference to the way he’d slip out of parties without saying goodbye (“I never liked the pressure of explaining why I’m leaving”) while Oakland Raiders fans contend that NATION comes from a devotion to the era of Bo Jackson and Howie Long. No one really knows the origin, but together they form a commitment to getting rid of life’s wreckage and building a trend based on honesty, commitment and, well, aggressive passion. “It’s not a political statement,” insists AWOL. “My definition is to escape a situation you can’t handle. A way for all of us to get our aggression out, cry a little bit, or even laugh.”

In the self-lacerating “Guilty, Filthy Soul,” with its Queen/David Bowie “Under Pressure” harmonies by way of the Beatles and the Beach Boys, AWOL doesn’t point a finger, as much as he takes full responsibility for the situation he finds himself in. “I built this not necessarily thinking anybody else would believe it but me, and now everybody else is starting to believe in it even more than I do,” he marvels. “I’ll agree to steer the ship, but it’s up to other people whether they get aboard or not.”

No, AWOL is no musical anarchist… When he says to “Burn It Down,” he’s talking about something that goes on within every one of us. “It’s about killing the devil inside you,” he muses. “You have to be at your lowest point to feel God, to get real. When I wrote that song, I had nothing. There was nowhere else to go but to start over.” “Burn It Down” to build it up. That’s AWOLNATION. Get down with it or get out of the way. Either way, it’s here.